버클리 스타일의 재즈 화성학

한진승

지은이:한진승
현상명대학교문화예술대학원뮤직테크놀러지학과교수

BerkleeCollegeofMusic학사
한국예술종합학교음악원석사
ColumbiaUniversity음악교육학(TeachersCollege)박사수료

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전미국보스톤소재YCRDI(YoungChangR&DInstitute)SoundwareDept.Intern
(주)서울음반음반기획프로듀서
록레코드(유)음반기획프로듀서
전JSMedia대표  

Preface

Chapter1.BasicHarmonyTheory
Scale,Mode
Interval
Triad

Chapter2.HarmonicStructure
7thChord
Tension
DiatonicTension

Chapter3.DiatonicHarmony
TheHarmonicFunction
RootMotionandPatterns
Cadence
ⅡⅤⅠCadence
Sus4Chord
DiatonicReharmonization
ChordScaleTheory
SongForm

Chapter4.HarmonicProgression
VoiceLeading
VoiceLeadingApplication
Blues화음진행
Cadence
ExtendedDominant
ModalInterchange
Turnaround

Chapter5.SecondaryDominant
SecondaryDominant
HarmonicRhythm
ExtendedDominants

Chapter6.SubstituteDominant
SubstituteDominant
ExtendedSubstituteDominant
RelatedⅡ-7Chord

Chapter7.ModalInterchange-SubdominantMinor
ModalInterchangeInMajor
ModalInterchange화음진행

Chapter8.MinorHarmony
MinorScale
DiatonicMinorHarmonyandModalInterchange
Tension&ChordScale
Secondary&SubstituteDominant
LineCliche

Chapter9.Blues
BluesBasic
BasicStructure
HarmonicProgression
MinorBlues
Turnaround
BluesChordScale

Chapter10.Diminished7thChord
BasicStructure
Diminished7thChordPattern
Diminished7thChordScale
DiminishedChordRehamonization
#Ⅳ-7(♭5)Ⅶ°7

Template