Foster (Now a major motion picture, The Quiet Girl | 클레어 키건 '말없는 소녀' 원작 소설 | Main /E | Paperback)

Claire Keegan

Claire Keegan's stories are translated into more than thirty-five languages. Antarctica won the Rooney Prize for Irish Literature. Walk the Blue Fields won the Edge Hill Prize for the finest collection of stories published in the British Isles. Foster won the Davy Byrnes Award and in 2020 was chosen by The Times as one of the top fifty works of fiction to be published in the twenty-first century. Small Things Like Thesewas shortlisted for the Booker Prize and the Rathbones Folio Prize, awarded for the best work of literature, regardless of form, to be published in the English language. It won the Kerry Group Irish Novel of the Year Award, the Ambassadors' Prize and the Orwell Prize for Political Fiction.

Keegan's fiction makes most novels look too fancy; her short stories make most prose seem too plain. Her inner and outer landscapes, the palpable and the imagined, are all of a piece. You think you are just looking - it turns out you are travelling. -- London Review of Books

Keegan writes with such grace and accuracy that it is impossible not to be drawn into each world she creates. ― Big Issue

'It's a pleasure to read a writer who has truly grasped the art of the short story, and can capture the soul of its subject in such a short space. ― Irish Mail on Sunday

Simply put, Claire Keegan is one of the greatest fiction writers in the world. -- George Saunders

A small miracle. ― Sunday Times

A thing of finely honed beauty. ― Guardian

A real jewel. ― Irish Independent

Foster confirms Claire Keegan's talent. She creates luminous effects with spare material, so every line seems to be a lesson in the perfect deployment of both style and emotion. -- Hilary Mantel

A masterly combination of things pregnant and poised, frozen and in flux. ― Times Literary Supplement

Foster is a thing of finely honed beauty and cumulative power, a story that deals in suggestion, exactitude and telling detail. It has the sure-footedness of great short story writing and a sense of confidence in the sparseness of the form that extends from the writer to the reader, allowing all that is not said to hold sway on the imagination. ― Observer

A haunting, crafted narrative making superb use of the first-person voice and of an urgent present tense. It has beauty, harshness, menace and the spine of steel worthy of high art ... There is no disputing that the greater the writing, the more may be confidently left unsaid. Keegan is a realist who has mastered describing the chaos of feeling. Humanity at its most vulnerable fills the silences in Foster , an unsentimental story that triumphs through a subtle ambivalence that stalks and shapes the emerging emotional intelligence of the narrator. -- Eileen Battersby ― Irish Times

Short stories are sometimes called gems. This one is as lyrical as poetry yet so concentrated it's a novel in miniature. A real jewel. ― Irish Independent

'Foster is a beautifully paced and delicately wrought tale ... Claire Keegan has truly inhabited the mind of a child and crafted a story that will stay with you long after the final page has been read.' ― Sunday Express

As good as Chekhov. -- David Mitchell