가람 시조집

권채린

저자 권채린은 1974년 서울에서 태어나 경희대학교 국어국문학과에서 현대문학을 공부했고, 2010년 박사과정을 졸업했다. 2005년 중앙일보 중앙신인문학상에 문학평론 부문으로 등단한 이후 문학평론가로 활동 중이다.

一
溪谷·······················5
大聖庵······················7
道峯·······················9
天磨山峽····················11
朴淵瀑布····················12
迦葉峯·····················13
萬瀑洞·····················14
叢石亭·····················15
海佛庵·····················16
月出山·····················17

二
蘭草 (一)····················21
蘭草 (二)····················22
蘭草 (三)····················23
蘭草 (四)····················24
梅花······················25
水仙花·····················26
芭蕉······················27
瑞香······················28
梧桐꽃·····················29
함박꽃·····················30
葡萄······················31
玉簪花·····················32
垂松······················33
白松······················34

三
젖·······················37
돌아가신 날···················38
그리운 그날 (一)·················39
그리운 그날 (二)·················40
故土······················42
시름······················44
白墨······················45
病席······················46
그 뜻······················47
고곰····················48
詩魔······················49

四
周時經 先生의 묻엄················53
光陵······················54
石窟庵·····················55
扶蘇山·····················56
松廣寺·····················57
梅窓 뜸·····················59
老石의 涅槃···················61
鼎山을 보내며··················62
曙海를 묻고···················63
追悼 (一)····················64
追悼 (二)····················65
죽음······················66

五
怪石······················69
뜰·······················70
바람······················71
별·······················72
구름······················73
바다······················74
落葉······················75
밤[栗]······················76
풀버레·····················77
소나기·····················78
비 (一)·····················79
비 (二)·····················80
비 (三)·····················81
우레······················82
밤 (一)·····················83
밤 (二)·····················84
봄 (一)·····················85
봄 (二)·····················86
여름······················87
저므는 가을···················89
겨을밤·····················90
戱題 (一)····················91
戱題 (二)····················92
戱題 (三)····················93
戱題 (四)····················94

해설······················97
지은이에 대해··················105
엮은이에 대해··················111

가람 이병기가 남긴 업적은 다방면에 걸쳐 있다. 한국 고전문학에 대한 주석·연구와 ≪국문학 전사≫ 발간 작업 등 초창기 국문학 연구의 기반을 다졌고, 쇠퇴 일로에 있던 시조를 부흥·발전시켰으며, 교육자와 한글 운동가로서도 뚜렷한 족적을 남겼다. 이론과 창작, 강의와 학술 작업을 아우르며 활발한 활동을 펼쳤던 가람은 한국문학사에서 커다란 공헌을 한 인물로 평가받고 있다. 무엇보다 시조 문학 방면에서 가람은 시조의 현대적 부흥을 위한 이론적 기틀을 마련한 논자였을 뿐 아니라 그 자신이 빼어난 시조 시인이기도 했다. 1939년에 간행된 ≪가람 시조집≫은 가람의 첫 번째 시조집으로, 고시조의 격식에 얽매이지 않는 현대적인 시조 미학을 개척한 특징적인 성과로 꼽히고 있다.