재즈 화성학 Jazz Harmony 3

백반종

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저자소개/2
머리말/3
추천사/4

13.SubV7/12
13-1SubV7/14
13-2다른다이아토닉코드(DiatonicChord)에대한SubV7/20
13-3SubV7의텐션(Tension)및코드스케일(ChordScale)/32
13-4익스텐디드SubV7(ExtendedSubV7)/42
13-5단조(MinorKey)에서의SubV7/49
연습문제/59

14.디미니쉬드세븐스코드(Diminished7thChord)/68
14-1디미니쉬드세븐스코드(Diminished7thChord)의용법/70
14-2디미니쉬드세븐스코드(Diminished7thChord)의코드스케일(ChordScale)/77
14-3씨메트릭디미니쉬드스케일(SymmetricDiminishedScale)과씨메트릭도미넌트스케일(SymmetricDominantScale)/94
연습문제/106

15.전조(Modulation)/114
15-1공통화음전조(PivotChordModulation)/118
15-2직접전조(DirectModulation)/139
15-3경과적전조(TransitionalModulation)/143
15-4일시적전조(TemporaryModulation)와반음계적어프로치(ChromaticApproach)/151
연습문제/157

16.코드스케일(ChordScale)/168
16-1장조(MajorKey)에나오는코드(Chord)의코드스케일(ChordScale)/171
16-2단조(MinorKey)에나오는코드(Chord)의코드스케일(ChordScale)/188
16-3도미넌트세븐스코드(Dom7Chord)가갖는코드스케일(ChordScale)및그밖의코드스케일(ChordScale)/195
연습문제/203

17.분수코드(Compoundchord)/208
17-1전위(Inversion)/209
17-2폴리코드(PolyChord)/210
17-3하이브리드(Hybrid)/229
17-4지속음(PedalTone)/252
연습문제/260

18.도미넌트세븐스코드(Dom7Chord)의위장해결(DeceptiveResolution)/266
18-1V7및세컨더리도미넌트세븐(SecondaryDominant7)의위장해결(DeceptiveResolution)/272
18-2SubV7의위장해결(DeceptiveResolution)/277
18-3도미넌트기능(DominantFunction)이없는도미넌트세븐스코드(Dom7Chord)/280
연습문제/305

19.모달하모니(ModalHarmony)/310
19-1모달하모니(ModalHarmony)에나오는
다이아토닉코드(DiatonicChord)의기능및특징/313
19-2Lydian/320
19-3Mixolydian/326
19-4Dorian/330
19-5Aeolian/336
19-6Phrygian/341
연습문제/349

20.컨스턴트스트럭쳐(ConstantStructure)/356
20-1메이저세븐스코드(Major7thChord)로이루어진컨스턴트스트럭쳐(ConstantStructure)/359
20-2마이너세븐스코드(Minor7thChord)로이루어진컨스턴트스트럭쳐(ConstantStructure)/361
20-3도미넌트세븐스코드(Dom7Chord)로이루어진컨스턴트스트럭쳐(ConstantStructure)/364
20-4멜로디에종속되는컨스턴트스트럭쳐(ConstantStructure)/368
연습문제/377
연습문제풀이/379