저자

고충환,김성호,김정락,김종길,김진하,류병학,박춘호,이선영,임성훈,정영목,

저자:고충환
미술평론가
KhoChunghwan/Artcritic
KhoChunghwangraduatedfromtheDepartmentofPaintingatYeungnamUniversityandreceivedhismaster’sdegreeinAestheticsfromtheGraduateSchoolofHongikUniversity.In1996,helaunchedhiscareerasanartcriticafterwinningtheChosunIlboNewYear'sLiteraryAwardswithhispieceBeyondthePhenomenologyofKitsch:ReadingKitschintheArtofaNewGeneration.HisworkhassincebeenrecognizedwiththeSunggokArtAward(2001)andanEncouragementPrizeintheAcademiccategoryoftheMonthlyArtAward,(2006).Asacurator,hehasorganizedRepresentationofRepresentationattheSunggokArtMuseum,TheContestedPointsofCriticismatthePOSCOArtMuseum,TheShellofSkinofSculptureattheMoranMuseumofArt,andDrawingSculpture:ACastleintheAirattheSeoulOlympicMuseumofArt(SOMA).HeistheauthorofthebookAFearsomeDepthandaBeautifulSurface(2006),andco-authorofKoreanArtThroughtheLensofCriticism(2001).

저자:김성호
평론가,성신여대초빙교수,2026금강자연미술비엔날레총감독
KimSungho/Artcritic,visitingprofessoratSungshinWomen’sUniversity,GeneralDirectorofthe2026GeumgangNatureArtBiennale.
KimSunghoholdsaB.A.inWesternPaintingandanM.A.inCultureandArtsfromChung-AngUniversity,completedtheDEAinPhilosophyfromParisXUniversity,andreceivedhisPh.D.inAestheticsandArtStudiesfromParisIUniversity.HehasservedasAdjunctProfessorintheDepartmentofWesternPaintingatChung-AngUniversity,DirectoroftheYeojuArtMuseum,andPostdoctoralResearcherattheUlsanNationalInstituteofScienceandTechnology(UNIST).HiscuratorialleadershipincludesservingasArtisticDirectorandGeneralDirectorofthe2020ChangwonSculptureBiennale,the2021GangwonInternationalTriennale,andthe7thAnyangPublicArtProjectin2023.Heistheauthorofsixbooks,includingArtificialIntelligenceandtheOntologyofImages(2024),andtwentyco-authoredvolumes,suchasCuratingArt(2022).Inaddition,eighteenofhisresearchpapershaveappearedinindexedacademicjournals.

저자:김정락
미술평론가
KimJungrak/Artcritic
KimJungrakgraduatedfromtheCollegeofFineArtsatSeoulNationalUniversityandearnedhisPh.D.inPhilosophyfromtheUniversityofFreiburginGermany.HisprofessionalrolesincludeChiefCuratorattheKimChongYungMuseumofArtandlectureratinstitutionssuchasKAIST,SeoulNationalUniversity,andKoreaUniversity.HehasfurtherservedasProfessoratKoreaNationalOpenUniversityandasanOutsideDirectorofCrownConfectioneryCo.,Ltd.

저자:김종길
미술평론가
GimJonggil/Artcritic
GimJonggilreceivedhisB.A.inEnvironmentalSculpturefromtheUniversityofSeoulandanM.A.inCulturalArtsManagementfromKyungHeeUniversity,andpursueddoctoralstudiesinArtTheoryatKookminUniversity.Hisresearchengagesdeeplywiththesocialpracticeandspiritualityofart,focusingonMinjungart,ShamanicRealism,andBuddhistart.Byadvancingsite-orientedcriticism,hecontributestotheexpansionofcontemporaryKoreanartdiscourse,servingasabridgebetweentheoryandpractice.

저자:김진하
미술평론가
KimJinha/Artcritic
KimJinhagraduatedfromtheDepartmentofWesternPaintingattheCollegeofFineArts,HongikUniversity.Beginningin1984haspursuedamultifacetedcareeraspainter,printmaker,universitylecturer,artcritic,exhibitionorganizer,andpublishingdesigner.Hehaspresentedtwosoloexhibitionsandtakenpartindozensofgroupshowsasanartist,andpublishednumerouscriticalstudiesofartists.Asacurator,hehasorganizedandoverseenaround250internationalanddomesticexhibitionsofvaryingscale.HehasalsoservedasDirectorofArtConsultingSeoul,PlanningDirectoroftheKoreaPrintPhotographyPromotionAssociation,andaciviliancommitteememberoftheInnovationTaskForceatArtsCouncilKorea.Atpresent,heleadsNamuArtGalleryasitsDirector.HispublicationsincludeKoreanModernandContemporaryWoodblockPrintsinPublishingArt:WoodenMirrorandThePersonWhoBecomesLikeaTree:WoodblockArtistKimSangku.Aseditor,hehascompiledworksincludingTheReturnofGildong:ShinDong-wooandGwanghwamunArtAction:OneHundredDaysofDocumentation.

저자:류병학
미술평론가,큐레이터
RyuByounghak/Artcritic,curator
HegraduatedfromtheStateAcademyofFineArtsStuttgartinGermanyandisactiveasanartcriticandguestcuratoratGalleryR.In1990hereceivedtheIGMetallPrizeinGermany,andin2008hewasawardedthePresidentRohMoo-hyunPrize.

저자:박춘호
김종영미술관학예실장
ParkChoonho/ChiefCuratoroftheKimChongYungMuseum
ParkChoonhograduatedfromtheDepartmentofSculptureatSeoulNationalUniversityanditsgraduateschool,thenmovedtotheUnitedStatesin1987,completinghisM.F.A.atPrattInstituteinBrooklynin1992.ReturningtoKoreain1994,hebecameafirst-generationresidentartistattheNationalGoyangStudioin2005.HelaterpursueddoctoralstudiesintheInterdisciplinaryProgramofVisualCultureatKoreaUniversity,earninghisPh.D.inLiteratureinAugust2012withthedissertationEpistemologicalGenealogyofDiscoursesinModernKoreanArtHistory:FocusingonTransformationinVisualRegimesandtheConceptofField

저자:이선영
미술평론가
LeeSunyoung/Artcritic
LeeSunyoungmadeherdebutin1994throughtheChosunIlboNewYear’sLiteraryContestintheartcriticismcategory.Shehasservedasaneditor-in-chiefofthewebjournalArtandDiscourseandaseditor-in-chiefofKoreanJournalofArtCriticism.Heraccoladesincludethe1stJeonggwanKimBokjinTheoryPrize(2006),theKoreanArtCriticsAssociationAwardinTheory(2009),andtheAICAYoungCriticsPrize(2014).

목차

Preface:ShapingtheFutureinSculpture

AWorldofIllusionMediatedbyLight:JeongJeongju
KimSungho/Artcritic,visiting&GeneralDirectorofthe2026GeumgangNatureArtBiennale

ThePoeticsofMovement,ShapedbyUnadornedHumanTouch:AhnSoojin
ParkChoonho/ChiefCurator,TheKimChongYungMuseum

FormsThatSustaintheBurdenofExistence:BaeHyungkyung
GimJonggil/Artcritic

SculptingtheSweetHappiness:NohJun
JungHayoon/Artcritic

TheNewRelationshipBetweenSculptureandSpace:ParkChoongheum
JungYoungmok/Artcritic

EQUINOX:TheMomentofEquilibrium:ParkWonjoo
KimJungrak/Artcritic

ASubversionofVisionthatEmbracesAnxiety:ImSuniy
LimSeonghoon/Aesthetician&Artcritic

ANewParadigmBeyondtheRealmofArt:KimEull
RyuByounghak/Artcritic

ASculpturalPoemwithoutPrecedent,whereMatterandSpiritIntersect:NaJeomsoo
KhoChunghwan/Artcritic

BlackSculpturesofConstructionandDeconstruction:SimSeungwook
LeeSunyoung/Artcritic

Tranquil,andDistinctlyKoreaninSpirit:KimJooho
KimJinha/Artcritic&DirectorofNamuArtGallery

SculptureThatReachestheReal:ShinJonghun
ChaeGilwon/Artcritic

ARoundtableontheFutureofK-Sculpture

출판사 서평

TheFutureofK-Sculpture,ThroughtheLensofSculpture

WhereisKoreansculpturetoday,andwhereshoulditgofromhere?ThisquestionliesattheheartofK-SCULPTUREIV:TheFutureofK-SculptureExpandingGlobally3.TwelvesculptorswhoembodythecurrentlandscapeofKoreansculptureengageindialoguewithtwelveleadingartcritics,togethertracingtheformativeideaswovenintotheirworks,thequestionsofourtimethattheyconfront,andthepossibilitiesthatawait.

Thesculptorsfeaturedinthisvolume-JeongJeongju,AhnSoojin,BaeHyungkyung,NohJun,ParkChoongheum,ParkWonjoo,LimSunyi,KimEull,NaJeomsoo,SimSeungwook,KimJooho,andShinJonghun-haveeachdevelopedadistinctivesculpturaluniversethroughtheirownmaterials,forms,themes,andmethodologies.Lightandspace,bodyandbeing,matterandspirit,memoryandanxiety,deconstructionandconstruction,Koreansensibilityandcontemporaryexperience-theirworksrevealtheremarkablebreadthofsculpturetoday,expandingitslanguageintoamultiplicityofvoicesandpossibilities.

Whatdistinguishesthisbookisthatitgoesbeyondsimplypresentingtheworks.Eachcriticdelvesdeeplyintotheartist’sworld,exploringwhatsculptureseekstoexpressandhowitengageswithitsaudience.Artistinterviewsarewoventhroughoutthebook,offeringreadersdirectaccesstotheideas,experiences,andcreativeprocessesbehindeachwork-insightsthattheworksthemselvescannotfullyreveal.Theaccompanyingvideointerviewsandaudiobookfurtherenrichtheexperience,invitingreaderstoencountersculptureinamoreimmersiveandmultidimensionalmanner,

TheK-SCULPTUREserieshasneverbeenlimitedtoraisingawarenessofthevalueofKoreansculptureathome;ithascontinuallysoughttodevelopasculpturallanguagecapableofspeakingtotheworld.Itsfourthpublication,K-SCULPTUREIV:TheFutureofK-SculptureExpandingGlobally3,carriesthatvisionforward.Bybringingtogetherartistswithdistinctidentitiesandsculpturallanguages,thebookoffersapanoramicviewofKoreansculpturetodaywhileconsidering,fromwithinthatbroaderperspective,thepossibilitiesthatK-Sculptureholdsontheglobalartstage.

Sculptureistheartofshapingthesensibilityofaneraintomatter.K-SCULPTUREIV:TheFutureofK-SculptureExpandingGlobally3recordsthepresentmomentofKoreansculpture,drawingoutthediscoursewithinittoprepareforwhatliesahead.Maythisbook,forgedjointlybytwelvesculptorsandtwelvecritics,serveasafreshpointofdeparture-forunderstandingwhereKoreansculpturestandstoday,andforenvisioningwhereK-Sculpturemightyetgo.