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유완희
거지 ·······················3女職工 ······················5犧牲者 ······················7아오의무덤에 ···················9刹那 ······················10享樂市場 ····················11나의要求 ····················13나의行進曲 ···················15街頭의宣言 ···················17民衆의行列 ···················19오즉前進하라! ··················21어둠에흘으는소리 ················26봄비 ······················28가을 ······················29바람 ······················30春? ······················32봄의서울밤 ···················33다리우에서 ···················34獨訴 ······················35斷腸 ······················381929年 ·····················40봄은왓다 ····················45無聲泣 ·····················46우리들의詩 ···················48太陽으로가는무리 ················51太陽으로가는무리(續) ··············55새해를마즈며 ··················59生命에바치는노래 ················61山上에서서 ···················71내ㅅ가에앉어 ··················73靑春譜 ·····················75다시맞는이날 ··················77잊지못할이날 ··················79해설 ······················81지은이에대해 ··················91엮은이에대해 ··················93
지식을만드는지식‘초판본한국시문학선집’은점점사라져가는원본을재출간하겠다는기획의도에따라한국문학평론가협회에서작가100명을엄선하고각각의작가에대해권위를인정받은평론가들을엮은이로추천했다.엮은이는직접작품을선정하고원전을찾아냈으며해설과주석을덧붙였다.각작품들은초판본을수정없이그대로타이핑해서실었다.초판본을구하지못한작품은원전에가장근접한것을사용했다.저본에실린표기를그대로살렸고,오기가분명한경우만바로잡았다.단,띄어쓰기는읽기편하게현대의표기법에맞춰고쳤다.시인유완희의시는근대자본주의체제속의계급차별과일본제국주의에의한한인억압의현실속에서프로문학에동조하는식민지지식인의이념적인이면을잘보여준다는점에서주목된다.1910년한일병합이후한반도에서는자본주의적인근대가진행됨에따라빈익빈부익부현상이심화되는것과동시에,일본제국주의의식민화가전개됨으로써열등하고무지한식민지인화현상이나타나기시작했다.이러한현실속에서식민지지식인들은다양한실천과사유를통해서제국주의와자본주의에대한비판을시도하게된다.이때눈여겨봐야할점이바로제국주의·자본주의를비판하는식민지지식인이프로문학과맺는관계다.유완희는그동안프로문학에가입만하지않았을뿐이지프로문학의이념과운동을상당히따르는식민지지식인으로알려져왔다.“경향시에서보이는선전,선동의성격이분명하게나타나있으며서사적경향도농후하게프롤레타리아계급의집단적자아화를드러”낸다거나,“사회주의에대한공감”을보여준것으로평가된기존의연구사가그실례가된다.그렇지만이러한연구사는자칫프로문학주도자와프로문학에동조해제국주의·자본주의를비판하는식민지지식인사이의관계를핵심?주변의양상으로오인하게만든다.이제유완희의시는제국주의·자본주의를비판하는식민지지식인의이념적인이면을잘보여준다는점에서새로운해석이필요하다.그의시가프로문학의자장내에서읽히고평가된다면,그가시도하는제국주의와자본주의에대한비판의맥락이사회주의문학의주변부에놓이게된다.이러한평가보다는,제국주의·자본주의를비판하는그의문학적노력을온전하게그대로읽고살펴볼필요가있다.이해설에서주목하는것이바로이러한유완희시의모습을편린이나마보여주고자하는것이다.그의시는제국주의·자본주의에대한비판이라는점에서프로문학의이념과유사하고그이념에동조하지만,계급보다는좀더추상적이고포괄적인민족을사유의중심에놓는다는점에서차이가난다.쉽게말해서유완희의시는계급을포함한한인의생존문제와활로를고민하는것을주요관심사로삼는다.