초판 이상 시선(큰글씨책)

이상

1910년2남1녀중장남으로태어났다.본명은김해경,본관은강릉이다.여덟살되던해신명학교에입학하여화가구본웅과만나오랜친구로지냈다.학창시절,미술에관심이많아화가를꿈꾸다가경성고등공업학교건축과에입학해수석으로졸업했다.학교추천으로조선총독부내무국건축과기수로발령받아근무했다.1930년,잡지《조선》국문판에첫작품이자유일한장편소설「십이월십이일」을‘이상(李箱)’이라는필명으로연재했다.1931년조선미술전람회에서양화「자상」이입선하고,《조선과건축》에일본어로쓴시「이상한가역반응」등20여편을발표했다.폐결핵으로조선총독부건축기사를그만둔후,1933년서울종로1가에다방‘제비’를개업했다.1934년박태원,정지용,이태준등의도움으로연작시「오감도」를《조선중앙일보》에발표하고‘구인회’회원이되었다.1936년구인회동인지《시와소설》창간호를발간하고단편소설「지주회시」,「날개」를발표하며평단의주목을받았다.1936년가을,일본도쿄로건너가작품활동을하다가1937년2월에‘사상혐의’로일본경찰에피검되어조사를받던중폐결핵이악화되어병원으로옮겼으나같은해4월,스물여덟살의젊은나이로세상을떠났다.

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지식을만드는지식‘한국근현대시초판본100종’은점점사라져가는원본을재출간하겠다는기획의도에따라한국문학평론가협회에서작가100명을엄선하고각각의작가에대해권위를인정받은평론가들을엮은이로추천했다.엮은이는직접작품을선정하고원전을찾아냈으며해설과주석을덧붙였다.
각작품들은초판본을수정없이그대로타이핑해서실었다.초판본을구하지못한작품은원전에가장근접한것을사용했다.저본에실린표기를그대로살렸고,오기가분명한경우만바로잡았다.단,띄어쓰기는읽기편하게현대의표기법에맞춰고쳤다.

이상의시는다다이즘이라는아방가르드적인예술정신과의관계속에서형성된다.이상의다다이즘은단순히호기심차원에서우연히성립된것이아니다.그의다다이즘은전위적미학운동인입체파와미래파적인요소에대한선행체험을통해성립되었다고할수있다.입체파와미래파에대한그의체험은보성고보시절,일본에건너가우리나라사람으로는최초로모더니즘적인감각(조형감각혹은조형적인사고)을배우고돌아온고희동이라는미술선생을사사한체험에서비롯된다고보아야할것이다.물론고희동의화풍이입체파와미래파의특성을보여준다고는볼수없다.하지만기존의전래기술의답습이나중국회화의모사로일관하던때에감수성이가장예민한시절의이모던한체험은그를쉽사리여기에서벗어나지못하게했던것이다.그가백부의반대로미술공부를포기하고고공으로진학해건축기사가되었지만이모던한체험의강렬함은무의식의심층저편에온전히남아있었던것이다.그는조선건축학회기관지인≪조선(朝鮮)과건축(建築)≫의표지도안현상공모에1등과3등으로당선하고,그이듬해화가로공식적인인정을받는총독부주관의조선미술전람회에출품해다시입선을하기에이른다.이모던한것에대한욕망,좀더정확히말하면보다래디컬하고아방가르드적인속성을지닌입체파와미래파예술에대한체험은화가구본웅과의교류를통해서구체적으로드러나기에이른다.
고희동사사나구본웅과의교류를통해성립된것은관념의차원이아니라온몸의차원에서체험한것들이다.어떻게보면그의시가드러내는입체파나미래파혹은다다와쉬르레알리슴으로이어지는아방가르드적인흐름이단발로그치지않고끊임없이자기갱신을통해그의미를확대재생산할수있었던것은온몸으로밀고나가는그런실질적인체험이있었기때문이다.이점은이상이우리문학사에서‘이상한토양에서이상하게탄생한이상한존재’라고해서그우연성과우발성,기이성만을특화하는것이얼마나잘못된무지의소치인가를말해주는대목이라고할수있다.그는서구의전위적인예술사조를표피적으로수용한것이아니라온몸으로그세계와만나또다른하나의세계를창조한그런존재로명명할수있을것이다.
다다이즘적인기획을통해이상이체험한것은시와그것의토대인언어에대한긴밀한관계성이다.언어에대한극도의부정과절망의끝에서그가만난것은언어자체가세계를온전히드러낼수없다는사실과함께,그럼에도불구하고그것을드러내기위해서는언어가필요하다는사실바로그것이다.그는언어에대한극도의부정과절망을통해철저한부정과파괴를수행하는다다의기획이잘못하면시(예술)자체를잃을수있다는사실을깨닫게된것이다.그결과그는다다의부정정신을살리면서시(예술)자체도살릴수있는길을찾은것이다.즉그는언어에대한절대부정과절망에서긍정과희망의통로를마련한것이다.