초판 김상용 시선 (큰글씨책)

김상용

제1부≪망향(望鄕)≫
南으로窓을내겠오 ················3
서그픈꿈 ·····················4
노래잃은뻐꾹새 ·················6
반?불 ······················8
괭이 ·······················9
浦口 ······················10
祈禱 ······················11
마음의조각(1) ··················12
마음의조각(2) ··················13
마음의조각(3) ··················14
마음의조각(4) ··················15
마음의조각(5) ··················16
마음의조각(6) ··················17
마음의조각(7) ··················18
마음의조각(8) ··················19
黃昏의漢江 ···················20
한잔물 ·····················21
눈오는아츰 ···················23
어미소(未完稿) ··················24
追憶 ······················25
새벽별을잊고 ··················26
물고기하나 ···················27
굴둑노래 ····················28
鄕愁 ······················30
가을 ······················31
나 ·······················32
颱風 ······················33

제2부≪망향(望鄕)≫외의시편
일어나거라 ···················37
이날도안저서기다려볼ㅅ가 ···········38
찻는맘 ·····················39
모를일 ·····················41
無常 ······················42
殺妻囚의質問(1) ················44
殺妻囚의質問(2) ················49
그러나거문고줄은없고나 ·············54
失題 ······················57
어이넘어갈가나 ·················60
내生命의참詩한首 ···············62
젖은그자락더적시우네 ·············65
無題(1) ·····················67
無題(2) ·····················68
無題(3) ·····················72
무지개도귀하것만은 ···············75
無題(4) ·····················77
斷想 ······················78
그대가누구를사랑한다할때 ···········79
祈願 ······················81
盟誓 ······················82
펜(＜斷想一束＞2) ···············83
저놈의독수리(＜斷想一束＞3) ··········84
비러먹을놈(＜斷想一束＞4) ···········85
無題吟二首 ···················86
無題三首 ····················90
孤寂 ······················93
우리길을가고또갈까 ··············94
自殺風景스켓취 ·················95
?景 ······················96
反逆(＜宇宙와나＞1) ··············98
敗北(＜宇宙와나＞3) ··············99
憧憬(＜宇宙와나＞3) ··············100
無題(5) ····················101
그대들에게 ···················103
한것적은나 ··················104
박첨지와낫잠 ·················105
山과나(＜‘렌스’에비친가을表情＞1) ······107
沈默(＜‘렌스’에비친가을表情＞2) ········108
森林(＜‘렌스’에비친가을表情＞3) ········109
岩壁(＜‘렌스’에비친가을表情＞4) ········110
暴風雨(＜‘렌스’에비친가을表情＞5) ······111
閑居(＜‘렌스’에비친가을表情＞6) ········112
無題(6) ····················113
旅愁(1) ····················114
古宮 ······················115
손없는饗宴 ··················116
山에물에 ····················117
그날이오다. ··················118
해바라기 ····················121
旅愁(2) ····················123
鄕愁 ······················124
하늘 ······················126
스핑크스 ····················127
苦惱 ······················128
點景 ······················129
꿈에지은노래 ·················131

해설 ······················133
지은이에대해 ··················141
엮은이에대해 ··················144

지식을만드는지식‘초판본한국시문학선집’은점점사라져가는원본을재출간하겠다는기획의도에따라한국문학평론가협회에서작가100명을엄선하고각각의작가에대해권위를인정받은평론가들을엮은이로추천했다.엮은이는직접작품을선정하고원전을찾아냈으며해설과주석을덧붙였다.
각작품들은초판본을수정없이그대로타이핑해서실었다.초판본을구하지못한작품은원전에가장근접한것을사용했다.저본에실린표기를그대로살렸고,오기가분명한경우만바로잡았다.단,띄어쓰기는읽기편하게현대의표기법에맞춰고쳤다.


월파(月坡)김상용(金尙鎔)은그의유일시집≪망향(望鄕)≫(1939)으로대표되는1930년대자연지향의시풍을완성한시인이다.김상용시편들은생래적인자연친화와고향회귀에대한시적탐색으로그초점이모아지는데,이러한친자연적이고원형지향적인속성은1930년대우리시사의중요한한양상을대변하는것이다.특히1920년대시에나타난감상과잉이나1930년대모더니즘에나타난서구편향을극복하면서,밝고아름다운삶과자연에대한일관된지향과노장(老莊)사상에가까운무위의세계를추구한점은김상용만이거둔남다른시적자산이아닐수없다.≪망향≫에는이러한정신적본향에대한지향과무위의감각적편린들이빼곡하게담겨있다.
그의시에나타나는1차적특징은‘나’와‘자연’이한몸을이루고있다는일종의“동일성인식”(이승훈)에있다.그의시에서‘자연’은시가써지는단순한배경이아니라,그의시가원천적으로태동하고생성하고다시귀의하는공간이다.이러한친자연적세계는한정(閑情)의무(無)를지향하는동양의노장사상에일정하게근접하는데,그의대표작＜남으로창을내겠오＞는간결한시행,단순한호흡,일상어사용,한국인의정서와어울리는여유와여백의미학을보여줌으로써이러한속성을담은명편(名篇)으로길이기억될작품이다.