초판 리욱 시선(큰글씨책)

리욱

生命의禮物 ···················3
님찾는마음 ···················5
눈 ························6
봄비 ·······················8
금붕어 ······················9
나의노래 ····················11
??花 ·····················12
바위 ······················14
五月 ······················16
落葉 ······················17
별 ·······················19
帽兒山 ·····················21
月夜梵鍾 ····················24
샘 ·······················25
血痕에깃든꽃 ··················26
땅 ·······················29
오월의붉은맘씨 ·················31
驛馬車 ·····················35
北斗星 ·····················38
내두만강에묻노라 ················40
라자구 ·····················52
檄 ·······················56
옛말 ······················59
젊은내외 ····················66
석양의농촌 ···················70
그날의감격은새로와 ···············73
황소야 ·····················77
선구자 ·····················79
三代 ······················82
일어서는거리 ··················85
사랑하는거리 ··················88
공원의서정 ···················92
고향 ······················95
땅의노래 ····················97
꽃언덕이보이네 ················100
시들줄모르는진달래 ··············103
그마음 ·····················105
꿈 ·······················107
아리랑 ·····················109
생의노래 ····················111
古城 ······················114
鷹 ·······················116
秋感 ······················118
讀書 ······················120
老詩人 ·····················122
哲學 ······················124
≪고향사람들≫제3장일송정에올라 ·······126

해설 ······················139
지은이에대해 ··················151
엮은이에대해

재외동포문학가운데중국조선족문학은한글로창작되었다는점에서한국문학과매우근접해있다.그럼에도1990년대이전까지는서로다른사회체제와국가적경계때문에쉽게접할수없었던것이사실이다.다행히도중국조선족문학과교류가활성화되면서한국문학의자장또한더욱풍성해지고있으며,이에따른문학연구도많은결실을맺고있다.
중국조선족문학은20세기초반에간도의문인들을중심으로문단이형성되기시작했고,중화인민공화국수립이후에도면면히성장해왔다.몇편의시를통해중국조선족문학을이야기하기는어렵겠지만중국조선족문학을대표하는시인리욱의작품세계를통해한시인의작품세계만이아니라중국조선족시문학의일면을엿보고자한다.
중국조선족문단의대표적인시인이었던리욱은서정시뿐만아니라한시와서사시그리고소설,수필,이론,번역을넘나들며전생애에걸쳐왕성한집필활동을해왔다.중국조선족문학사에서리욱의시세계는민족적색채와낭만주의적경향,역사적제재에대한문학적형상화등의특징을지녔다고평가된다.서정시뿐만아니라산문시와한시그리고서사시에이르기까지다양한장르를넘나드는작품세계는다채로운형식에걸맞게풍성한주제들을다루고있다.자연물에대한순수한서정에서부터간도에서살아가는조선인들이처한삶의현실,사회주의국가건설을향한열정,역사적항쟁과혁명적투지,그리고인생을반추하는명상적내용에이르기까지하나의주제로포괄할수없는시세계의방대함은리욱이자기현실과문학적성취에안주하지않고지속적으로시의영역을넓혀온작가임을엿보게한다.