초판 정지용 시선(큰글씨책)

정지용

딸레 ·······················3
‘마음의日記’에서 ·················4
별똥 ·······················7
병 ························8
三月삼질날 ···················10
슬픈印像畵 ···················12
지는해 ·····················14
카?·?란스 ··················15
爬蟲類動物 ···················18
홍시 ······················20
산엣색씨들녁사내 ················21
따알리아 ····················23
紅椿 ······················25
甲板우 ·····················26
?니약이구절 ··················28
이른봄아침 ···················30
새?안機關車 ··················33
?榴 ······················34
鄕愁 ······················36
산넘어저쪽 ···················38
할아버지 ····················40
슬픈汽車 ····················41
五月消息 ····················45
幌馬車 ·····················47
鴨川 ······················50
말 ·······················52
發熱 ······················53
風浪夢1 ····················54
太極扇 ·····················56
우리나라여인들은 ················58
갈메기 ·····················61
겨을 ······················63
琉璃窓1 ····················64
바다1 ······················65
피리 ······················68
湖水1 ······················70
湖水2 ······················71
아츰 ······················72
?頂 ······················74
琉璃窓2 ····················76
風浪夢2 ····················78
촉불과손 ····················79
蘭草 ······················80
무서운時計 ···················82
故鄕 ······················83
汽車 ······················85
조약돌 ·····················87
毘盧峯 ·····················88
海峽 ······················90
갈릴레아바다 ··················92
恩惠 ······················94
臨終 ······················96
歸路 ······················98
時計를죽임 ···················99
또하나다른太陽 ················101
나무 ······················102
不死鳥 ·····················104
勝利者金안드레아 ···············106
悲劇 ······················112
紅疫 ······················114
地圖 ······················115
바다2 ·····················116
流線哀傷 ····················118
파라솔 ·····················121
瀑布 ······················124
毘盧峯 ·····················127
九城洞 ·····················129
玉流洞 ·····················130
삽사리 ·····················133
溫井 ······················135
小曲 ······················136
長壽山1 ····················138
長壽山2 ····················139
白鹿潭 ·····················140
春雪 ······················144
꽃과벗 ·····················146
나? ······················149
盜掘 ······················151
비 ·······················152
禮裝 ······················154
忍冬茶 ·····················155
朝餐 ······················156
진달래 ·····················158
호랑나? ····················159
異土 ······················160
그대들돌아오시니 ················162
愛國의노래 ···················165
曲馬團 ·····················167
산소 ······················170
船醉 ······················171
종달새 ·····················174

해설 ······················175
지은이에대해 ··················183
엮은이에대해 ··················185

정지용은생전세권의시집을발간했다.1935년에발간한첫시집≪정지용시집(鄭芝溶詩集)≫(시문학사)에는모더니즘에영향을받은시편들과함께토속적정서와순수서정을보여주는시편,동화적상상을보여주는동시까지다채로운그의시적관심이드러나있다.1941년발간한두번째시집≪백록담(白鹿潭)≫(문장사)에는＜장수산(長壽山)＞,＜백록담(白鹿潭)＞등전통서정과동양정신의미학적깊이를보여주는명편들이담겨있다.청신한이미지와언어로표현되는현대적감각성이강했던그의시세계가두번째시집에서는산수(山水)자연에깃든정신성과절제된미학성으로변화했다.1946년에는앞선두시집에서스스로25편을골라≪지용시선(詩選)≫(을유문화사)을발간하는데,첫시집에서는감각적이미지와언어의조탁을보여주는시들과가톨릭시14편을골랐고,두번째시집에서는동양정신과절제의미학을보여주는산수시11편을골랐다.
1988년해금조치에의해월북문인들의작품이일반독자들에게공개되기전부터정지용시의높은문학성과문학사적가치는연구자들에게이미평가되고있었다.김용직,김우창,오탁번,김명인,최동호,이숭원등연구자들은이미한국현대시형성기에정지용이보여준언어와시에대한자의식과탁월한시적성취를적극적으로평가했다.해금된뒤정지용시에대한연구는폭발적으로증가했으며일반독자들또한그의시를즐길수있게되었다.정지용시의문학적탁월함과선구자적역할은납북혹은월북문인에드리운분단문학의그늘을스스로극복할만한것이었다.
정지용의시중에는,대중음악으로널리알려진＜향수＞와교과서수록시＜유리창＞같이이미일반독자들에게친숙한시들이있다.일반독자들이부분적이나마정지용을알고있으며그의시를듣고읽고감상하고마음에담은바있다는것은의미있는일이다.노래나교과서또는입시를통한소박한체험일지라도이는1세기전시인정지용을만나는일이고1세기전우리역사의고뇌와청춘의시절을경험하는일이기때문이다.