노경식 제8희곡집(봄 꿈ㆍ세 친구)

노경식

櫓谷,下井堂노경식(ROHKyeong-shik)

1938년전북남원에서태어남.1950년남원용성국교(41회)및1957년남원용성중(3회)을거쳐남원농고(18회,남원용성고교의전신)졸업.1962년경희대학교경제학과(10회)를졸업하고드라마센타演劇아카데미수료1965년서울신문신춘문예희곡〈철새〉당선.한국연극협회한국문인협회민족문학작가회의회원및이사.한국PEN클럽ITI한국본부한국희곡작가협회회원.서울연극제전국연극제근로자문화예술제전국대학연극제전국청소년연극제등심사위원.
추계예술대학재능대학(인천)국민대문예창작대학원강사및『한국연극』지편집위원‘서울평양연극제추진위원장’등역임.2003-『노경식연극제』(舞天劇藝術學會주최,大邱)2006-전라북도南原市「下井堂文庫」설립(장서4천여권,『南原市立圖書館』창설의계기됨)

저서
『노경식희곡집1권-달집』『2권-정읍사』『3권-하늘만큼먼나라』
『4권-징게맹개너른들』『5권-서울가는길』『6권-두영웅』
『7권-연극놀이』『8권-봄꿈ㆍ세친구』역사소설『무학대사』(상하2권)
『사명대사』(상중하3권)『신돈-그착종의그림자』프랑스희곡집
『Unpaysaussilointainqueleciel』(‘하늘만큼먼나라‘외)
『韓國現代戱曲集5』(일본어,〈달집〉게재)
『압록강‘이뿌콰’를아십니까』(노경식散文集)
『지만지한국희곡선집』-〈달집〉〈정읍사〉〈하늘만큼먼나라〉3권
『2010국립예술자료원구술예술사‘노경식’』
『한국희곡명작선30』〈두영웅〉(평민사)

주요수상
‘백상예술대상’희곡상(3차례)‘한국연극예술상’(1983)‘서울연극제대상’(1985)
‘동아연극상작품상’(1989)‘大山문학상’(희곡,1999)‘行願문화상’(문학부문,
2000)‘동랑유치진연극상’(2003)‘한국희곡문학상대상’(2005)‘서울특별시문
화상’(연극,2006)‘한국예총예술문화상대상’(연극,2009)‘대한민국예술원
상’(예술,2012)‘2015자랑스러운연극인상’(한국연극협회)「보관문화훈장」
(2018)등

현재
한국연극협회원로위원/한국문인협회자문위원/한국작가회의회원/
국제PEN한국본부고문/서울연극협회남북연극교류위원회자문위원/
(재)차범석연극재단이사/(사)사명당기념사업회이사

화보:노경식의삶과연극

책머리에

더도말고덜도말고한가위만같아라·············································3

1부희곡작품
두영웅(11장)·······················································································8
반민특위(10장)·················································································118
봄꿈(14장)····················································································210
세친구(4막)·····················································································296

2부
1.나의자화상(自畵像)··································································389
2.자찬묘지명(自撰墓誌銘)·····························································390
3.압록강이뿌콰를아십니까(기행문)·············································398
4.쪽빛보다푸르게(인터뷰)·····························································405

우리시대우리작가:노경식희곡과무대공간으로서‘전라도’-김봉희·····412

뒷풀이글1마지막희곡집??김성노················································430

뒷풀이글2생활연극으로무대에올리고싶은노곡선생의〈달집〉?정중헌
···························································································434

연보··································································································443

부록:1.노경식작품공연총연보····················································462
2.희곡작품게재목록·····························································472
3.노경식작품주제별분류外·············································475
주요수상·저서·주요희곡작품·······························································479

노경식희곡과무대공간으로서의전라도

김봉희

인간이살아가는공간은많은경험과다양한기억의저장소이다.인간의삶을다루는문학은이러한공간에의미와가치를부여함으로써장소의정체성을형성해나간다.특히,극문학에서무대공간은단순한공간적배경을표현하는것만은아니라극작가가구현하는주제를형성해나가는의미가가득한장소이다.게다가극적공간은극작가의희곡적작법에서출발해서배우의표정과몸짓,무대장치까지수많은의미를관객들에게전달하는역할을한다.따라서극작가들은무대공간에생명력을불어넣어막이내릴때까지관객들의시선을끝까지붙잡고있어야한다.
실제,극작가들은자신의나날살이의경험이있는지역성이묻어있는무대공간을선택하는경우가많다.왜냐하면극무대에지역성이부가되면극작품에리얼리티를확보할뿐만아니라줄거리체계를통한주제의식을강렬하게전달할수있기때문이다.그래서극작가는무대공간에지역성을부여하여자신만의극작의세계관을그려내곤하는데그대표적인작가가운데남원출신의노경식(1938∼)이있다.노경식은설화적인물을통하여민중들의애환적삶을지역적정서와함께그려내는정통적인리얼리즘극작세계를올곧게지키고있는극작가이다.

노경식은1938년전북남원에서출생했으며이곳에서유년기와청소년기를보냈다.그는1962년경희대학교경제학과를졸업한후,‘드라마센터연극아카데미’극작반을수료했다.1965년서울신문신춘문예에희곡「철새」가등단되면서극작가의이름을내걸었다.그후,50여년을넘는활발한극작활동을통해42편의희곡을남겼으며대부분작품들이연극무대에올라관객과만났다.그리고그는현재까지도활발한극작활동을이어가고있으며연극계원로로서든든한버팀목역할을하고있다.
이처럼노경식은1960·1970년대전통극변동의큰흐름속에서정통리얼리즘극작세계를굳건히지켜나갔을뿐만아니라오랜극작활동기간동안민중들의애환적인삶의길목을조명한휴머니즘극작가이다.게다가그는전라도방언을통해민중들의밀접한생활상을들여다보기도하고전라도지역을무대공간으로삼아민중들의삶을애절하게표현했다.무엇보다노경식의극작품은전국의여러극단에의해연극무대로옮겨졌다는점도간과해서는안된다.그만큼그의희곡은공연예술로서그의미가크다하겠다.
그럼에도불구하고학계나연극계에서노경식의희곡에대한이렇다할논의와연구성과를내놓지못했다.그의희곡에대한논의는극내용뿐만아니라극적특성,연극적활용등다양한영역에서논의되어야할것이다.