하모니카 종합 악보집 (개정판 | 스프링)

하모니카 종합 악보집 (개정판 | 스프링)

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Vendor: 해드림출판사 - 박은우
Type: 관악기/현악기
SKU: 9791156345657
Categories: ALL BOOKS
Tags: 예술/대중문화_음악 하모니카종합악보집개정판스프링
Description
국민 악기 하모니카,
화음과 주법을 가미하는 일은
상상을 초월하는 시간과 역량 집중이 요구되는 과정
하모니카 주법이 들어간 연주곡집을 구하려고 수없이 대형서점들을 뒤져봤으나 단순 멜로디만 나와 있는 악보만 있지 화음과 주법을 가미한 연주곡집은 전혀 찾을 수가 없었습니다. 이에 필자는 하모니카를 연주하려는 사람들을 위해 주법이 가미된 연주곡집을 만들기로 마음먹고 6년을 준비하여 본 연주곡집을 발간하게 되었습니다.
오선 악보와 달리 하모니카는 숫자악보를 사용하는데 숫자와 일부 악상기호만 컴퓨터로 작성이 가능하고 줄 긋고 점을 찍고 이음줄을 긋는 것 등은 모두 수작업으로만 가능하여 악보 작성에 너무나 많은 시간과 정성이 들어가야 했습니다.
특히 화음과 주법을 가미하는 일은 상상을 초월하는 시간과 역량집중이 요구되어 참으로 어려운 과정이었습니다.
저자

박은우

건축가,시인,수필가

ㆍ하모니카합주단KOREAHARMOBAND단장
ㆍ2017년전국하모니카합주대회대상수상
ㆍ2018년북경제12회아시아태평양국제하모니카대회독주부문2위입상
ㆍ2018년북경제12회아시아태평양국제하모니카대회합주부문금상수상
ㆍ2019년K-하모니카페스티벌합주부문1위입상

ㆍ시집;초록도해탈의대상인가요(2022).그늘속의그림자(2022)
눈물을닦으면보이는행복(2004)

목차

악보집을펴내며·····3
하모니카악보집을내면서·······9
음악의용어정리및기본········10
음악표어(악상기호)········13
음악의기본정리······14
숫자악보의기본······15
주법해설및자주쓰는악상기호·······16
본악보집이용방법·······18
세미클래식
소녀의기도(TheMaiden'sPrayer)·······22
쇼팽의즉흥환상곡(Fantaisie-Impromptu)·······24
아를르의여인(Menuetde"L'Arlesienne)·······26
사랑의기쁨(Plaisird'Amur)(분산화음위주)····28
사랑의기쁨(Plaisird'Amur)·······29
알람브라궁전의추억(RecuerdosDeLaAlhambra)········30
유모레스크(Humoreske)·······31
투우사의행진곡(CarmenSuiteNo1,Toreadors)·····32
가을의속삭임(ACommeAmour)·····34
트로이메라이(Traumerei)······35
뻐꾹왈츠1·······36
뻐꾹왈츠2······37
은파(SilveryWaves)····38
페르시안마켓(InaPersianMarket)·······42
타이스의명상곡(MeditationDe"Thais")·······45
라데즈끼행진곡(RadetzkyMarch,Op.228)······46
아드린느를위한발라드(BalladePourAdeline)·······48
이사도라(Isadora)·········49
쇼팽의이별의곡(Chansondel'adieu)·····50
AmazingGrace·······51
백조의호수(SwanLake)·······52
신세계교향곡중꿈속의고향(SymphonyNo9Op.95ⅡLargo2)······54
캐논변주곡(VariationontheKannon)···56
쇼팽의야상곡(NocturneOp.9No.2)······58
TheSecondWaltz·······59
경기병서곡(LightCavalryOverture)줄임편곡······60
가곡,명곡,동요
가고파······64
가을,이별의노래·······65
과수원길······66
고향땅·······67
고향생각,귀뚜라미우는밤······68
고향의노래······69
고향의봄······70
그대있는곳까지(ERESTU)······71
그리운금강산······72
그리운언덕······73
꿈속의고향(GoingHome)······74
나타샤의왈츠(Natasha'sWaltz)·····75
반달,낮에나온반달····76
넬라판타지아(NellaFantasia)······77
동무생각·······78
들장미·····79
망향·····80
목마와숙녀······81
목련화1······82
목련화2······83
바다의협주곡(LeConertoDeLaMer)····84
바위고개······85
보리밭·····86
봄처녀·······87
산타루치아(SantaLucia)····88
섬집아기······89
석양(Sunset)-Duet곡·······90
석양(Sunset)·····91
스와니강(OldFolksatHome)·······92
10월의어느멋진날에······93
시인과나(ThePoet&I)·······94
아가씨들아·······95
아!목동아(LondonderryAir)······96
애니로리(AnnieLaurie)········97
에델바이스(Edelwiss)······98
영원한사랑(ALoveUntilTheEndofTime)1·······99
영원한사랑(ALoveUntilTheEndofTime)2·····100
우정의노래(SteinSong)······101
위대한사랑(AmoreGradeAmoreLibero)·······102
작별,우리다시만날때까지··········103
징글벨······104
천개의바람이되어·········105
켄터키옛집······106
토셀리의세레나데(SerenataRimpianto)······107
푸른옷소매(GreenSleeves)·····108
해변의노래(HabameNoUta)일본곡······109
향수·····110
회상········112
가요
가버린당신······116
가슴아파도······117
가을을남기고간사랑·····118
공항의이별·······119
그대는나의인생········120
그대발길머무는곳에·······121
그런사람또없습니다········122
그리움만쌓이네········123
긴머리소녀··········124
꼬마인형········125
꽃물········126
꽃밭에서········127
낙조········128
내마음우산이되어··········129
내사랑내곁에··········130
내일을기다려········131
능금빛순정·········132
님········133
님의향기··············134
당신도울고있네요···················135
당신만을사랑해······················136
돌아가는삼각지,안개낀장춘단공원··137
돌지않는풍차·······················138
동숙의노래··························139
동행·································140
만남·································141
모란동백····························142
물레방아도는내력···················143
민들레홀씨되어·····················144
바닷가의추억························145
바람에실려··························146
바람의노래··························147
바램·································148
별빛같은나의사랑아················149
별이빛나는밤의부르스··············150
보라빛엽서··························151
보슬비오는거리·····················152
비내리는영동교·····················153
사랑·································154
사랑TWO···························155
사랑안해···························156
사랑과우정사이·····················158
사랑으로····························159
사랑은생명의꽃·····················160
사랑을위하여························161
사랑을할거야·······················162
사랑의눈동자························163
사랑이라는이름을더하여·············164
사랑의미로··························166
사랑이여····························167
사랑이죄인가요······················168
사랑하나····························169
사랑하는그대에게···················170
상록수·······························171
선창·································172
숨어우는바람소리··················173
스잔나·······························174
슬픈인연····························175
신사동그사람·······················176
아내에게바치는노래·················177
아내의노래··························178
아~대한민국························179
아름다운것들························180
아침이슬····························181
안동역에서··························182
앉으나서나당신생각················183
애모·································184
애정의조건··························185
야래향·······························186
어느날문득·························187
어느소녀의사랑이야기···············188
옛사랑·······························189
울어라열풍아························190
월량대표아적심(첨밀밀OST)··········191
이별·································192
인생은미완성························193
잊으리·······························194
잊을수가있을까·····················195
잊을수없는여인····················196
잊혀진계절··························197
J에게································198
조개껍질묶어(라라라)················199
준비없는이별·····················

출판사 서평

음색이곱고감성적이어서대중성을지닌하모니카

악기를연주한다는것은자신의인생을연주하는것입니다.소지가불편한다른악기에비해하모니카는아주작고가벼워소지가편하기도하지만음색이곱고감성적이어서대중성을지니기에아주좋은악기라고할수있겠습니다.
언제어디서나주변에피해를주지않고연습할수있으며다른악기의도움없이도여러가지주법과아름다운화음으로반주를하면서연주할수있다는게얼마나대단합니까?
한악기로반주와멜로디를동시에연주할수있는악기는건반악기와하프,기타정도이고입으로부는악기로는하모니카가유일합니다.

필자는젊어서부터오선악보를보고스스로터득하면서하모니카를불다가예순이다되어서야세계적인연주가이신이혜봉한국하모니카연맹회장님과이해신선생님을만나체계적으로배우게되었는데이후주법이들어간연주곡집을구하려고수없이대형서점들을뒤져봤으나단순멜로디만나와있는악보만있지화음과주법을가미한연주곡집은전혀찾을수가없었습니다.이에필자는하모니카를연주하려는사람들을위해주법이가미된연주곡집을만들기로마음먹고6년을준비하여본연주곡집을발간하게되었습니다.


오선악보와달리하모니카는숫자악보를사용

오선악보와달리하모니카는숫자악보를사용하는데숫자와일부악상기호만컴퓨터로작업이가능하고줄긋고점을찍고이음줄을긋는것등은모두수작업으로만가능하여악보작성에너무나많은시간과정성이들어가야했습니다.
특히화음과주법을가미하는일은상상을초월하는시간과역량집중이요구되어참으로어려운과정이었습니다.실컷작성해놓고전체를연주해보면또고치게되고몇달,또는몇년후에다시연주해보면또다시수정하는경우가많았는데말이수정이지전체악보를수작업으로다시만들어야하는것입니다.

필자는시와수필을쓰는작가이기도한데시나수필은일부만컴퓨터로수정하면간단한데비해하모니카악보는연주를해봐야수정이필요한지알게되고수정이곧전체를다시만드는것이어서수년의시간과잠을못자는열정을쏟아부어본연주곡집을완성하여출간하는것입니다.특히많은음악의전주나간주가없는악보가많아서부족한제가음악을들어서악보를채록하고하모니카에맞게편곡하는건너무나어려운일이었습니다.

연주란100명이같은곡을연주해도다다를것입니다.따라서이책에서보여주는것을참고해서주법을가감,변경하든지일부편곡을해서자신만의연주색깔을보여주는것도좋을것입니다.부디본악보집이하모니카를사랑하는여러분들의발전에좋은참고서가되기를기원합니다.


전세계에서같은악보는있을수없는유일한악보집

전세계에서통용되는하모니카용악보는숫자악보로되어있으나우리나라서점에서구매할수있는악보는대부분단순멜로디만나와있어서화음을곁들인중급이상의연주를하려면스스로터득하거나고수들로부터사사받아야만악보를구할수있는상황입니다.
이에본인은하모니카저변확대는물론더쉽게수준향상을위해서참고할수있는수준높은악보를만들고자오랜세월동안준비를해서본악보집을출간하는겁니다.
각종주법과화음을곁들인본악보집은평생을간직하고배워도쉽지않을겁니다.

특히클래식악보는열손가락으로연주하는피아노악보나수많은악기가어우러져각기다른악보를보이는오케스트라악보를저나름대로편곡해서원곡의멜로디는유지하면서도하모니카로표현할수있는최대한을반영해서악보를편곡했습니다.따라서전세계에서같은악보는있을수없는유일한악보집입니다.

클래식을편곡하는데는수개월이걸린것도있지요.이는편곡한악보를연주해보면또고치고싶어지고하다보니그렇습니다.
합주곡악보는여러의견이분분할수있겠습니다.따라서본인이편곡한곡을참고하면되겠고나름다른생각이있으면첨삭하거나수정하면됩니다.저는한곡을3개월걸려서완성한것도있답니다.제가부족해서그렇겠지만나름대로는너무나많은정열을쏟아부은곡들이라소중하지않은게하나도없답니다.

본악보집을보고잘모르시는분은혼자고민하지말고유명한학원이나고수들을찾아서단몇달만이라도배우고나면발전이빠를겁니다.제가수십년을혼자불다가이혜봉회장님을만나충격을받았고다시배웠지만,너무오랜세월동안우물안개구리처럼그자리만맴돌았다는걸알고후회스럽더군요.자만하지말고처음엔배우고나중엔스스로익혀가면빠른발전은물론감동을주는연주를할수있을겁니다.
화음은적당히사용하고분산화음을터득하여본악보집에나오는분산화음을익힌후나름대로변형하시면더좋을겁니다.
분산화음은연주자마다스타일이다다르므로본악보는참고용이라고생각하세요.
다만악보가있어야연습을하든지하니까일단본악보집대로해보시기바랍니다.