들뢰즈의 시네오시스

들뢰즈의 시네오시스

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Vendor: HUINE - 데이비드 디머
Type: 서양철학자
SKU: 9791159019074
Categories: ALL BOOKS
Tags: 들뢰즈의시네오시스 인문_철학
Description
이 책은 총 2부, 3장과 그 아래 수많은 절로 이루어져 있다. 이 책의 제목이 말해주듯 이 책은 들뢰즈의 『시네마』를 이해하기 위한 세 가지 방법, 더 정확히 말해 들뢰즈의 이미지 분류학을 이해하기 위한 세 가지 접근법을 제시하고 있으며, 그것을 I, II, III장으로 나누어 설명하고 있다. 제I장은 들뢰즈의 『시네마』 1과 2를 구성하는 가장 중요한 이미지 분류인 운동-이미지와 시간-이미지를 다루고 있다. 들뢰즈는 그것을 이미지의 두 체제라고 명명하며, 이 두 체제의 철학적 배경으로 크게 베르그손과 퍼스를 언급하고 있다. 따라서 제I장에서는 베르그손의 이미지와 지속, 그리고 퍼스의 세미오시스가 어떻게 이미지의 두 체제인 운동-이미지와 시간-이미지를 구축하는지 설명하고 있다. 특히 시간-이미지에 대한 설명에서는 들뢰즈가 『차이와 반복』에서 다룬 시간의 종합을 중점적으로 다루며, 자신만의 시각으로 그것이 시간-이미지와 어떻게 조응하는지 설명하고 있다. 물론 이 과정에서 『시네마』에서처럼 구체적인 영화에 대한 분석은 없다. 특히 고전 영화에 대한 언급은 전혀 없다. 오로지 군더더기 없이 이론에 대한 설명과 표를 통해 그 구조를 명확히 제시하고 있다.
저자

데이비드디머

DavidDeamer
영국맨체스터메트로폴리탄대학소속연구자이자작가다.질들뢰즈,앙리베르그손,프리드리히니체철학을중심으로이론,역사,정치학에관심을가지고있으며,더불어영화와문화의교차지점을연구하고있다.『들뢰즈의시네오시스:들뢰즈의‘시네마’를이해하는세가지방법(Deleuze'sCinemaBooks:ThreeIntroductionstotheTaxonomyofImages)』(2016)과『들뢰즈,일본영화그리고원자폭탄:불가능의유령(Deleuze,JapaneseCinemaandtheAtomBomb:TheSpectreofImpossibility)』(2014)의저자이다.

목차

새로번역하며/7
역자서문(2019)/9
감사의말/16일러두기/19약어표/24
다이어그램,도표,영화프레임목록/26서론_들뢰즈의시네오시스/33

제1부/시네오시스열기
제Ⅰ장/첫번째방법|이미지의두체제66
1.운동-이미지와시간-이미지베르그손,이미지그리고지속························69
2.운동-이미지퍼스,세미오시스·································································88
3.시간-이미지들뢰즈,종합들···································································131
4.시간-이미지와운동-이미지베르그손,지속그리고이미지······················180
제Ⅱ장/두번째방법|이미지와기호들의계열188
1.지각-이미지··························································································191
2.감정-이미지··························································································198
3.충동-이미지(발생초기의행동-이미지)··················································205
4.행동-이미지(작은형식,행동→상황)················································213
5.행동-이미지(큰형식:상황→행동)·····················································220
6.견인-이미지(첫번째반성-이미지:여섯번째정신-이미지)··················233
7.도치-이미지(두번째반성-이미지:다섯번째정신-이미지)··················241
8.담론-이미지(세번째반성-이미지:네번째정신-이미지)·······················248
9.꿈-이미지(세번째정신-이미지)·························································259
10.회상-이미지(두번째정신-이미지)······················································266
11.관계-이미지(첫번째정신-이미지)····················································274
12.시지각기호와청각기호·····································································283
13.유리기호···························································································294
14.시간기호···························································································303
15.정신기호·························································································312
16.가독기호···························································································320
제1부후기/펼쳐진시네오시스································································338

제2부/시네오시스의실제
제Ⅲ장세번째방법|시네마토그래픽스(1995∼2015)345
1.〈잠수종과나비〉|고체지각······························································347
2.〈타임코드〉|액체지각······································································351
3.〈나코이카시〉|기체지각···································································356
4.〈테러리스트〉|도상···········································································360
5.〈슈퍼베드〉,〈슈퍼베드2〉,〈미니언스〉|분체·································365
6.〈네가지시간〉|임의의공간··························································370
7.〈휴먼센티피드〉|(첫번째시퀀스)증후·········································377
218.〈해리포터와죽음의성물〉1부와2부|물신·····································382
9.〈이노센스〉|근원적세계···································································388
10.〈마더〉|결핍의지표·······································································394
11.〈킬러인사이드미〉|모호성의지표·················································399
12.〈아자미〉|벡터················································································405
13.〈오늘의맑시즘(프롤로그)〉와〈무제〉|사회적환경·······················409
14.〈메이드인대거넘〉|이항식····························································416
15.〈피쉬탱크〉|각인·········································································425
16.〈흔들리는구름〉|조형적형상(形象)················································431
17.〈스콧필그림〉|연극적형상····························································436
18.〈소스코드〉|미장아빔····································································441
19.〈네얼간이〉|숭고의형상······························································447
20.〈슬랙키스탄〉|쇠약의형상······························································452
21.〈울부짖는남자〉|일상적인것·························································458
22.〈몬스터즈〉|큰형식행동-이미지의극한·········································463
23.〈브룩클린파이니스트〉|작은형식행동-이미지의극한·····················468
24.〈메트로마닐라〉|행동-이미지의한계··············································472
25.〈스타트랙8:퍼스트콘택트〉|풍부한꿈·········································478
26.〈머시니스트〉|소박한꿈·································································481
27.〈인셉션〉|세계의운동····································································484
28.〈시크릿인데어아이즈〉|강한운명···············································489
29.〈백인의것〉|약한운명···································································495
30.〈트라이앵글〉|분기하는길들···························································500
31.〈세븐〉|표식···················································································506
32.〈닥터후:닥터의날〉|탈표식·························································511
33.〈베리드〉|상징················································································519
34.〈파이브〉|시지각기호와청각기호·················································526
35.〈블랙스완〉|마주보는거울··························································536
36.〈셀프메이드〉|투명과불투명·························································542
37.〈시네도키,뉴욕〉|배아와환경························································551
38.〈엉클분미〉|현재의첨점들·················

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