목재 홍여하의 창작공간과 서정

목재 홍여하의 창작공간과 서정

$33.44
Description
한 사람이 일평생 품고 살아온 뜻이 무엇인지를 알 수 있는 것 가운데 하나가 재호이며, 중요한 작품의 창작 공간이 된다. 목재는 인생 역정을 따라가며 ‘계곡谿谷’, ‘목재木齋’, ‘산택재山澤齋’, ‘존성재尊性齋’ 등 몇 차례 거처에 재호를 걸었다. 재호에는 그 시절의 의지와 이상을 담았으며, 한시를 통해 삶의 다양한 면모를 녹여내고 있었다. 그런데 그의 한시는 완전하게 사적인, 자기 개인의 무대에서 그치지 않는다. 그런 까닭으로 ‘목재’라는 인물과 그 기록이 시대를 읽는 프리즘 혹은 돋보기로 의미 있을 것인가를 가늠하는 일이 이글의 과제인 셈이다.
저자

최금자

국대학교한문학과및석사학위를마치고부산대학교
박사학위를받았다.현재는부산대학교한문학과강사로있다.
주로지역고전에관심을가지고공부하고있다.
논문으로는
〈木齋洪汝河의한시연구〉(2017),
〈조선시대시화집소재퇴계시비평연구〉(2019),
〈木齋洪汝河의교유양상연구:교유시를중심으로〉(2021),
〈可庵全翼耈의삶과시세계〉(2022).
〈예천읍지????竺山勝覽????에소재한漢詩와그성격〉(2023),
〈木齋洪汝河의시세계연구〉(2024)등이있다.
역서로는
〈木齋詩選〉(2022),
〈無忝齋詩選〉(2024),
〈可庵集〉(공역,2022)이있다

목차

책을펴내며/5
제1장서론:문제제기-17세기상주사족의프리즘,목재홍여하····13
1.연구목표와성과검토·······································································13
2.연구대상과서술방향·······································································23
제2장지역사족으로서의위상과지향····················································31
1.상주尙州의지역적특징과목재·······················································31
2.가학과사승師承,그리고교유交遊···················································46
1)가학··········································································································46
2)사승師承···································································································55
3)교유交遊···································································································72
3.재호齋號의전변轉變과지향의변화················································87
제3장삶의지향에따른시세계추이·················································103
1.계곡谿谷의시기:지식인으로의성장과세태비판·····················105
1)다독多讀,적독積讀과학문에대한의지········································105
2)세태비판과지식인으로의자세······················································122
2.목재木齋의시기:환로의참여와내적검속의표출··················139
1)동료에대한그리움과참여의의지················································140
2)환로의좌절과내적검속의표출····················································158
3.산택재山澤齋의시기:고향으로의회귀와사람에대한관심··169
1)교우交友와의소통과결속의식·······················································170
2)서원과강학을통한학풍진작振作·················································184
4.존성재尊性齋의시기:전원에서의한적閑寂과안분安分·············203
1)전원의일상에서한적閑寂의정취···················································203
2)만년의반성과안분安分의정서·······················································215
제4장시세계의특징적국면과의미····················································225
1.도학적사유와실천적수양의추구·············································225
2.자연에대한완상을통한치유의모색······································242
3.탁행卓行에대한공론화와현세적구현의지··························253
4.산문적리듬에의지한상실감의서사화····································268
제5장결론:상주한문학의이해를위하여······································285
제6장부록··············································································································295
1.조선시대시화집소재퇴계시비평연구·······························295
1)머리말···································································································295
2)시화집에수록된퇴계시비평························································297
3)퇴계시비평의양상··········································································303
4)시화집속퇴계시비평의특징······················································314
5)맺음말···································································································317
2.상주尙州경천대擎天臺와시적공간으로서의의미··················318
1)들어가며································································································318
2)경천대:채득기와의만남··································································320
3)선유船遊에의염원과연대적소통의공간···································328
4)기억으로소환된우담雩潭과은일의공간·····································335
5)맺음말을대신하여-유흥幽興을너머를상상하다·························340
3.예천읍지????축산승람竺山勝覽????에소재한한시漢詩와그성격··358
1)들어가며································································································358
2)????축산승람????의간행과구성································································360
3)????축산승람????의구성및내용······························································365
4)????축산승람????의한시수록현황························································369
5)????축산승람????소재한한시의성격······················································374
6)나가며···································································································392
4.가암可庵전익구全翼耈의삶과시세계··········································394
1)들어가며································································································394
2)전익구의가계와생애········································································396
3)전익구의시세계··················································································400
4)나가며···································································································423
참고문헌/426