CH’AEKKORI PAINTING(책거리) (A Korean Jigsaw Puzzle | 양장본 Hardcover)

CH’AEKKORI PAINTING(책거리) (A Korean Jigsaw Puzzle | 양장본 Hardcover)

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Description
책거리는 병풍 형식의 화면에 책과 도자기, 문방구, 향로, 청동기 등 선비의 책가(冊架)에 놓인 기물들을 그린 그림을 말한다. 이러한 책거리 그림은 1970년대까지도 민화 애호가들에게나 관심의 대상이었을 뿐 한국회화사에서는 별로 주목받지 못했다. 이 무렵 한국을 방문하여 책거리에 매료된 저자 케이 E. 블랙(Kay E. Black)은 이를 계기로 뒤늦게 미술사 공부를 시작하여 덴버대학교에서 석사학위를 받았다. 그녀는 국내외에 산재한 150여 점의 책거리 작품을 일일이 찾아다니며 조사하고 그 화풍과 조성 배경을 탐구하였다. 1980년대부터는 당시 조선시대 족보 연구의 권위자인 에드워드 와그너(Edward W. Wagner, 하버드대학교, 2001년 타계) 교수와 공동 연구를 통해 상당수의 책거리 그림이 궁중 화원 화가들이 그린 것이며 그 화가들이 가계에 있어 서로 긴밀히 연결되어 있었음을 처음으로 밝혀냈다. 이 책은 저자의 30여 년에 걸친 책거리에 대한 탐구를 종합적으로 정리한 연구서이다.

Ch'aekk?ri refers to paintings of books, stationery, ceramics, incense burners, bronze ware and other items found on the bookshelves of scholars, painted on folding screens in the late Chos?n period. Paintings of this theme did not receive much attention in Korean art except for a small number of folk paining lovers and collectors until the 1970s. Fascinated by ch’aekk?ri during her first visit to Korea in the mid-1970s, the author Kay E. Black started studying the subject and received her master’s degree in art history at University of Denver. Since then, she has vigorously devoted herself to research on ch’aekk?ri, visiting numerous collections in Korea, Japan, the U.S. and Europe and meticulously examining as many as 150 extant works. She also collaborated with the late Edward W. Wagner, formerly Professor of Korean history at Harvard and one of the foremost authorities on Korean genealogies, to identify ch’aekk?ri painters and their intricate family lineages. Their research discovered many of the pieces were painted by professional painters hired at the court, who were closely related in family lineages. More than thirty years of the author’s research on ch’aekk?ri is summed up in this comprehensive study.
저자

KayE.Black

케이블랙(1928~2020)은미국인으로1973년처음한국을방문했을때한국미술에매료되어40대에덴버대학에서다시한국미술사공부를시작하여석사학위를받았다.그뒤책거리를비롯한한국미술연구에몰두하여와그너와함께“책거리그림”(1993)과“궁중스타일책거리”(1998)등의논문을발표하였다.또한에카르트데게와함께발표한“상트오틸리엔수도원소장정선의진경산수화”(1999/2000)에서는이그림에그려진금강산의시점에대해창의적인해석을제시한바있다.

KayE.Black(1928-2020)receivedamaster’sdegreeattheUniversityofDenver.Herpublicationsincludesucharticlesonch’aekk?rias“Ch’aekk?riPaintings:AKoreanJigsawPuzzle”(1993)and“CourtStyleCh’aekk?ri”(1998),bothcoauthoredwithEdwardW.Wagner.Shealsopublished“St.Ottilien’sSix‘TrueViewLandscapes’byCh?ngS?n”withEckarteDege,whichpresentsaninspring,newinterpretationoftheviewingspotofDiamondMountaininthepainting.

EdwardW.Wagner(1924-2001)isthelateprofessorandfounderofKoreanStudiesatHarvardUniversity.HewasaspecialistonChos?ndynastyhistoryandtheleadingexpertonKoreangenealogy.

GariLedyard(1932-)isSejongProfessorEmeritusofKoreanHistoryatColumbiaUniversity.HewroteondiverseaspectsoftheKory?andChos?ndynastiesincludingtheinventionoftheKoreanalphabet,Han'g?l,duringthefifteenthcentury.

목차

ForewordbyAhnHwi-joon
Acknowledgements
ListofPublicationsbytheAuthor

1.KoreanCh’aekkori:Introduction
2.Ch’aekkoriandtheKoreanCourt
3.OverviewofIsolatedTypeCh’aekk?ri
4.IsolatedTypeEmbroideredCh’aekk?ri
5.IdentifiedArtistsofIsolatedTypeCh’aekk?ri
6.IsolatedTypeCh’aekkoribyYiHy?ng-nok/YiT’aek-kyun
7.AnIsolatedTypeCh’aekk?ribyYiTo-y?ng
8.ThreeIsolatedTypeCornerCh’aekk?riScreens
9.AnIsolatedTypeTheatricalCh’aekkori
10.TwoTwentieth-CenturyIsolatedTypeCh’aekk?ribyS?ktang
11.OverviewofTrompel’OeilTypeCh’aekk?ri
12.PeepBoxTrompel’OeilTypeCh’aekk?ri
13.Trompel’OeilTypeCh’aekk?riattheChosonCourt:ALateChos?nPeriodArtistwithThreeDifferentNames
14.TheAntiquarianSpiritinTrompel’OeilTypeCh’aekkori
15.AnAtypicalCh’aekkoriandItsAnonymousPainter
16.TheIdentificationofKangTal-su:ANewPieceintheCh’aekkoriJigsawPuzzle
17.ACh’aekk?iinHonorofKimKi-hy?n’sSeventiethBirthday
18.ATrompel’OeilTheatricalCh’aekkori
19.AnEight-PanelEuropeanPaletteTrompel’OeilTypeCh’aekkori
20.ATwo-PanelEuropeanPaletteTrompel’OeilTypeCh’aekkori
21.YiTo-y?ng:YangbanArtistofCourtStyleCh’aekkori
22.OverviewofStillLifeTypeCh’aekkori
23.Ch?nnam-StyleStillLifeTypeCh’aekk?ri
24.TheRoyalOntarioMuseumCycle-DatedCh’aekkori
25.GnomonCh’aekk?ri
26.SealScriptCh’aekk?ri
27.TheLeeum“Door”Ch’aekk?ri
28.FormerGruberCollectionEight-PanelCh’aekk?ri
29.TheElegantCh’aekk?ri
30.Conclusion

AppendixⅠBookTitlesandRelatedInscriptionsinCh’aekkoriScreens
AppendixⅡTitlesofBooksonShelvesandTables:IntroductoryNotesbyGariLedyard
Glossary
ListofFigures
ListofExhibits
Bibliography
Index

출판사 서평

책거리는18세기조선시대에그려진화제(?題)로병풍형식의화면에책과도자기,문방구,향로,청동기등선비의책가(冊架)에놓인기물들을그린그림을말한다.한때민화의한종류로여겨지기도했으나,근래에는조선시대왕실과문인들이애호했으며궁중의화원등전문화가들이그린것으로알려지게되었다.책거리는1970년대까지도민화애호가들에게나관심의대상이었을뿐,한국회화사에서는별로주목을받지못했다.이무렵책거리에매료된저자케이E.블랙(KayE.Black)은뒤늦게공부를시작하여책거리그림의연구에몰두하였다.그리하여국내외에산재한150여점의작품을일일이찾아다니며조사하고그화풍과조성배경을탐구하였다.1980년대부터당시조선시대족보연구의권위자인에드워드와그너(EdwardW.Wagner,하버드대학,2001년타계)교수와공동연구를통해상당수의책거리그림이화원화가들이그린것이며,그화가들이가계에있어서로긴밀히연결되어있었음을처음으로밝혀냈다.두사람이함께쓴논문은책거리에대한본격적인연구의시원이었다고평가해도과언이아니다.이책은저자의30여년에걸친책거리에대한탐구를종합적으로정리한연구서이다.
저자는이책에서책거리를크게“Isolatedtype”(별치別置형식),“Trompel’Oeiltype”(트롱프뢰유형식),“StillLifetype”(정물靜物형식)의세가지로나누어각각주요한작품들의화풍을분석하고,화가들의계보를밝히며,화풍과가계에있어화가들간의관계를추적하고있다.부록에는책거리병풍들에등장하는책들의종류에대한게리레저드(GariLedyard,컬럼비아대학교)교수의분석이실려있다.한국회화사의권위자인안휘준교수가서문에서평한바와같이,이책은한국회화사연구에서의의가큰중요한학문적업적이며,앞으로책거리에관한국내외연구에서빼놓을수없는성과라할수있다.

Ch'aekk?riisasubjectinKoreanpaintingthatdepictsbooks,ceramics,stationery,incenseburners,bronzeware,andotherobjectsplacedonthescholar’sbookshelvesonfoldingscreensdatingbacktotheeighteenthandnineteenthcenturies.Althoughitwasoncecommonlyconsideredasagenreinfolkpainting,itisnowknowntohavebeenfavoredbytheroyalfamilyandliteratiandpaintedbyprofessionalcourtartistsduringtheChos?nDynasty.Ch'aekk?riwasofinterestonlytofolkpaintingloversandcollectorsuntilthe1970sanddidnotreceivemuchscholarlyattentioninKoreanpainting.AroundthistimeduringherfirstvisittoKorea,theauthorKayE.Blackwasfascinatedbych'aekk?ri.OnherreturntotheU.S.,shewentbacktoagraduateprogramattheUniversityofDenverandstartedstudyingAsianartandKoreanpainting,focusingonch’aekk?ri.Shevisitednumerouscollectionshomeandabroadandconductedmeticulousresearchonasmanyas150examplestoexploretheirartisticfeatures,painters,andcontextualsignificance.IntimelycollaborationwiththelateProfessorEdwardW.WagnerofHarvardUniversity,shewasabletodemonstratethatmanych'aekk?ripaintingswereproducedbyanumberofprofessionalpainterswhoworkedintheRoyalPaintingBureauforthecourtandscholarlygentlemen.Theauthorcategorizesch'aekk?ripaintingsintothreetypes:"Isolated,""Trompel'Oeil,"and"StillLife,"andanalyzestheircharacteristicsineachtype.Shealsotracestheintricaterelationshipsbetweenpaintersinstyleandpedigree.TheAppendixcontainsanexaminationbyProfessorGaryLedyardofColumbiaUniversityofvariousKoreanandChinesebooksdepictedinch'aekk?ripaintings.AsProfessorAhnHwi-joon,anauthorityonKoreanpainting,statesintheForeword,thisbookisaseminalcontributiontothestudyofthisimportantthemeinKoreanpaintingandanindispensibleworkinanyfurtherscholarlypursuitofthissubjectinfutureresearch.