헨델 메시아(Handel Messiah)

백정진

출간작으로『박영근성가곡집1:합창내가여호와를항상송축함이여』등이있다.

Introduction Pageiv

MESSIAH:ANORATORIO

ParttheFirst
1.서곡Sinfony 1
2.위로해내백성Comfortye(Accompagnato:Tenor) 4
3.모든골짜기Ev'ryvalley(Song:Tenor) 6
4.주의영광AndthegloryoftheLord(Chorus) 10
5.만군의주말하셨다ThussaiththeLord(Accompagnato:Bass) 16
6(a).주오시는날그누가견디며Butwhomayabide(Song:Alto) 18
7.정결케하시리Andheshallpurify(Chorus) 24
8.보라처녀가잉태하여Behold,avirginshallconceive(Recit.:Alto) 30
9.오기쁜소식을전하는자여Othouthattellest(Song:Alto,&Chorus) 30/34
10.보아라어둠이땅을덮으며Forbehold,darkness(Accompagnato:Bass) 37
11.흑암에행하며어둠에거하던Thepeoplethatwalkedindarkness(Song:Bass) 39
12.우리를위해나셨다Foruntousachildisborn(Chorus) 42
13.전원교향곡Pifa 51
14(a).너른들판에Therewereshepherds(Recit.:Soprano) 51/211
14(b).보라주님의천사가Andlo,theangeloftheLord(Accompagnato:Soprano) 52
15.그천사가말하기를Andtheangelsaiduntothem(Recit.:Soprano) 53
16.또갑자기천군천사들이Andsuddenlytherewaswiththeangel
(Accompagnato:Soprano) 53
17.주께영광GlorytoGod(Chorus) 54
18(a).기뻐하라Rejoicegreatly(Song:Soprano·FinalVersion) 57
19.그때어두웠던눈이Thenshalltheeyesoftheblind
(a).(Recit.:Alto) 63
(b).(Recit.:Soprano) 63
20.주는양떼를먹이시고Heshallfeedhisflock
(a).(Song:Alto) 64
(b).(Song:Soprano) 67
(c).(Duet:Alto&Soprano) 64
21.그멍에는쉽고Hisyokeiseasy(Chorus) 70

ParttheSecond

22.온세상죄지신하나님의어린양BeholdtheLambofGod(Chorus) 75
23.멸시와천대Hewasdespised(Song:Alto) 78
24.진실로그는우리의괴로움을맡으셨네SurelyHehathborneourgriefs(Chorus) 81
25.주가채찍맞음으로AndwithHisstripes(Chorus) 85
26.양과같이Allwe,likesheep(Chorus) 90
27.주를보는자들조롱하며AlltheythatseeHim(Accompagnato:Tenor) 98
28.저가하나님여호와를의지하니HetrustedinGod(Chorus) 99
29.비웃음에무너진마음ThyrebukehathbrokenHisheart
(Accompagnato:TenororSoprano) 106
30.보라주를Beholdandsee(Song:TenororSoprano) 107
31.생명의땅거기서끊어지심은Hewascutoff(Accompagnato:TenororSoprano) 108
32.그러나주께서그영혼을ButThoudidstnotleave(Song:TenororSoprano) 108
33.머리들라문들아Liftupyourheads(Chorus) 110
34.어느천사들에게Untowhichoftheangels(Recit.:Tenor) 119
35.천사들아주께경배하라Letalltheangels(Chorus) 119
36(a).주높은곳으로오르신그때에Thouartgoneuponhigh(Song:Alto) 122
37.명령하시니TheLordgavetheword(Chorus) 126
38(a)/(b).참아름답다Howbeautifularethefeet(Song:Soprano) 129
39(a).저들소리가온세상에Theirsoundisgoneout(Chorus) 131
40(a)/(b).어찌하여서열방들이분노하며Whydothenations(Song:Bass) 135
41.사슬을끊자Letusbreaktheirbonds(Chorus) 141
42.하늘에계신이가Hethatdwellethinheaven(Recit.:Tenor) 147/248
43(a).주님께서철장으로Thoushaltbreakthem(Song:Tenor) 147
44.할렐루야Hallelujah(Chorus) 150

ParttheThird

45.내주님은살아계시니IknowthatmyRedeemerliveth(Song:Soprano) 158
46.사람인하여죽음왔으니Sincebymancamedeath(Chorus) 162
47.보라한비밀을말하노니Behold,Itellyouamystery(Accompagnato:Bass) 165
48.나팔울리면Thetrumpetshallsound(Song:Bass) 165
49.성경의말씀이Thenshallbebroughttopass(Recit.:Alto) 171
50(a).사망아너의그쏘는것이어디에있느냐?Odeath,whereisthysting?
(Duet:Alto&Tenor·RevisedSetting) 171
51.감사드리세하나님께ButthanksbetoGod(Chorus) 173
52(a).하나님께서우리편이시면IfGodbeforus(Song:Soprano) 178
53.죽임당하신어린양WorthyistheLamb(Chorus) 183
54.아멘Amen(Chorus) 190

Appendix

6.주오시는날그누가견디며Butwhomayabide
(b).(Song:Bass) 196 (c).(Recit.:Bass) 198
(d).(Song:Soprano·Gminor) 199
(e).(Song:Soprano·Aminor) 205
14(a).너른들판에Therewereshepherds(Recit.:Soprano) 211
14(c).보라주님의천사가Butlo,theangeloftheLord(Arioso:Soprano) 211
18.기뻐하라Rejoicegreatly
(b).(Song:Soprano·FirstVersion) 213
(c).(Song:Soprano·SecondVersion) 219
36.주높은곳으로오르신그때에Thouartgoneuponhigh
(b).(Song:Bass) 224
(c).(Song:Soprano·Dminor) 228
(d).(Song:Soprano·Gminor) 232
38.참아름답다Howbeautifularethefeet
(c).(Duet:2Altos,&Chorus) 235
(d).(Duet:Soprano,Alto,&Chorus) 235
(e).(Song:Alto) 244
39(b).저들소리가온세상에Theirsoundisgoneout(Song:TenororSoprano) 247
42.하늘에계신이가Hethatdwellethinheaven(Recit.:Tenor) 248
43(b).주님께서Thoushaltbreakthem(Recit.:Tenor) 248
50(b).사망아너의그쏘는것이어디에있느냐?Odeath,whereisthysting?
(Duet:Alto&Tenor·FirstSetting) 248
52(b).하나님께서우리편이시면IfGodbeforus(Song:Alto) 252

메시아해설 258
악장별연주가이드 262
역자의말 274

불후의명작헨델의메시아,왜우리는옥스퍼드에디션(OxfordEdition)을선택해야하는가?

정격연주와〈메시아〉의에디션에대한개념은일부전문가를제외하고는한국에서여전히생소한영역이라생각된다.그간번역에있어여러출판이이루어졌지만,저작권에대한명확한절차를통한출판은그리오랜일이아니다.더군다나에디션에있어서는출처불명의단하나의〈메시아〉버전만이전해내려왔고,최근에야노벨로와배렌라이터에디션이한국판으로소개되었다.필자개인적인의견으로는노벨로에디션은헨델의필사본을대하는듯한경외와감흥이느껴질만큼의명작이라생각되며,그가치는지금에도명불허전이라할것이다.그럼에도이번에옥스퍼드판을작업한이유를묻는다면,두가지정도로짧게답할수있을것같다.

첫째,옥스퍼드판은노벨로로부터30여년이후의새로운발견과연구결과를반영하여,노벨로에누락된버전들을담고있다.이에대한설명은편집자인바틀렛의INTRODUCTION에자세히나와있다.이와같은새로운판본의작업은끊임없는연구를통하여헨델시대의사운드에보다다가가려는노력의일환이며,이러한세계적흐름이한국에도어렵지않게소개되길바라는마음이다.(두에디션의곡목록비교표를첨부한다)

둘째,〈메시아〉연주에대한다양한프레임을제공하길바라는마음이다.〈메시아〉는전문연주팀에서부터교회찬양대를비롯한아마추어합창단에이르기까지수많은합창인구가도전하는레퍼토리이다.각각연주력이나인원수,오케스트라등의여건이다른바,하나의기준에이연주를끼워맞출수는없을것이다.어느단체는정격연주로접근하고싶을것이고,어느팀은정격연주적아이디어를구현하는것에어려움이있을것이다.헨델이생전에경험했던다양한여건과사정을반영하는다양한판본이이옥스퍼드에디션에담겨있다.역사적으로나연주적인측면에서〈메시아〉를바라보고접근하는방식이나시각이다양하게열려지길기대한다.

백정진(장로회신학대학교교회음악과교수)