재즈 드럼 바이블 세트 (전 2권)

서덕원

명지대학교문화예술대학원실용음악학과졸업,한국외국어대학교러시아어과졸업.1997'Interplay'드러머,1998제1회울진재즈페스티벌참가,'이정식Quartet'드러머,1999제2회울진재즈페스티벌참가,세종문화회관Summer재즈페스티벌참가,'박지혁Trio'드러머,2000제3회울진재즈페스티벌참가,'정성조Quintet'드러머,2001'서울재즈오케스트라'타악기수석,전주세계소리축제참가,2002'원영조Trio'드러머,2003'양준호Trio'드러머,2004'이영경Trio'드러머,중국연대과학기술대학명예동문,재즈,리오,젠틀레인(GentleRain)'결성,리더로활동,2005젠틀레인전국문예회관연합10개도시투어콘서트,젠틀레인1집'IntoTheGentleRain'발매-기획,작편곡,연주,2006젠틀레인EBSSpace공감콘서트,젠틀레인1집발매기념콘서트(백암아트홀),2007프로젝트그룹'SonagiProject'앨범'CinemaInJazz'발매-기획,프로듀서,편곡,연주,EBSSpace공감콘서트,2008부산금정재즈페스티벌참가,젠틀레인2집'SecondRain'발매-제작,기획,프로듀서,작편곡,연주,2009젠틀레인2집발매기념콘서트(추계예술대학콘서트홀),젠틀레인EBSSpace공감콘서트,2010젠틀레인3집'Dreams'발매-제작,기획,프로듀서,작편곡,연주,젠틀레인3집발매기념콘서트(백암아트홀),2011제1회'봄에내리는젠틀레인'콘서트(마포아트센터),재즈전문지'재즈피플'선정리더스폴베스트드러머수상,2012제2회'봄에내리는젠틀레인'콘서트,젠틀레인4집'Wish'발매-제작,기획,프로듀서,작편곡,연주,젠틀레인4집발매기념콘서트(마포아트센터),2013제3회'봄에내리는젠틀레인'콘서트,제1회대전재즈페스티벌참가,2014젠틀레인+색소포니스트MiyazakiTakahiro(前T-Square)콜라보콘서트,제4회'봄에내리는젠틀레인'콘서트,재즈드러머서덕원&팝,록드러머고중원의드럼스타일링정기클리닉개최(코스모스홀).現)재즈트리오젠틀레인리더,드러머로활동,일본"Pearl"社,미국"Zildjian"社의EndorsingArtist,백제예술대학교실용음악과겸임교수,목원대학교작곡/재즈학부,명지대학교문화예술대학원실용음악학과출강하였다.

1과:루디먼트(Rudiment)A.드럼악보의표기(NotationsofSetDrums)B.발의스타일과위치(Styles&PositionsoftheFeet)a.발의스타일:힐다운과힐업(HeelUp&HeelDown)b.발의위치(PositionsoftheFeet)C.그립(Grip)a.매치드그립(MatchedGrip)b.트래디셔널그립(TraditionalGrip)D.싱글스트로크롤(SingleStrokeRoll)E.더블스트로크롤(DoubleStrokeRoll)F.프레스롤(PressRoll)G.패러디들(Paradiddle)H.플램,드랙,러프(Flam,Drag&Ruff)I.킥오스티나토(KickOstinatos)와루디먼트트레이닝
2과:싱커페이션(Syncopation)A.강박과약박a.강박과약박의정의b.연음부에따라분할되는박자들의강약B.쉼표와음표에의해나타나는싱커페이션a.약박은연주되고약박주변의강박은쉼표로처리된경우b.약박의음이다음에나오는강박과붙임줄(Tie)로이어졌을경우C.액센트에의해나타나는싱커페이션D.앤티시페이션(Anticipation)과딜레이드어택(DelayedAttack)a.앤티시페이션(Anticipation)b.딜레이드어택(DelayedAttack)c.싱커페이션,앤티시페이션,딜레이드어택의관계
3과:튜닝과세팅,스틱,라이드와하이햇,2비트필과4비트필,곡형식등(Tuning&Setting,Sticks,Ride&Hi-hat,2BeatFeel&4BeatFeel,SongForms)A.재즈드럼의튜닝(Tuning)과세팅(Setting),스틱(Sticks)a.재즈드럼의튜닝에관하여b.재즈드럼의세팅에관하여c.재즈드럼에서자주사용되는스틱에관하여d.재즈드럼의재질에관하여B.라이드와하이햇(Ride&Hi-hat)a.뉴올리언스드러밍(NewOrleansDrumming)b.재즈라이드심벌패턴(JazzRideCymbalPattern)C.2비트필과4비트필(2BeatFeel&4BeatFeel)a.2비트필(2BeatFeel)b.4비트필(4BeatFeel)c.2비트필과4비트필에서의드럼연주에관하여(DrumPlayingin2BeatFeel&4BeatFeel)D.재즈스탠다드(JazzStandards)와비밥(Bebop)E.재즈의곡형식(SongFormsofJazz)a.재즈에서자주사용되는곡형식들b.재즈의곡형식에따른드럼비트설정과연주F.재즈앙상블에서자주사용되는용어,인원편성a.재즈앙상블에서자주사용되는용어들b.재즈앙상블의인원편성c.재즈의연주순서와편곡
4과:미디움스윙과컴핑(MediumSwing&Comping)A.미디움스윙(MediumSwing)a.미디움스윙과업템포(Uptempo)스윙b.스윙비율(SwingRatio)c.스윙리듬에서의메트로놈트레이닝B.컴핑(Comping)a.미디움스윙컴핑의기본트레이닝b.미디움스윙에서의리듬과컴핑트레이닝C.크로스리듬(CrossRhythm)과폴리리듬(Polyrhythm)a.크로스리듬과폴리리듬b.크로스리듬(CrossRhythm)c.폴리리듬(Polyrhythm)d.크로스리듬과폴리리듬의차이점과공통점,크로스리듬과폴리리듬을드럼연주에적용할경우의주의점D.모티브의발전(MotivicDevelopment),질문과대답(Question&Answer)E.미디움스윙컴핑의전개기법(DevelopmentofMediumSwingComping)a.약속되고정해진섹션에서연주하는상황Straight,NoChaser,Billie`sBounce,InWalkedBudb.솔로연주자의임프로바이제이션에서즉흥적으로드러머가컴핑하는상황FussBudget-Transcription(DrumsbyCharliePersip)
5과:업템포스윙과컴핑(UptempoSwing&Comping)A.업템포스윙(UptempoSwing)B.업템포라이드심벌비트와컴핑(UptempoRide&Comping)a.업템포라이드심벌비트와페더링(Feathering)b.업템포스윙컴핑트레이닝C.업템포스윙컴핑의전개기법(DevelopmentofUptempoSwingComping)a.약속되고정해진섹션에서연주하는상황b.솔로연주자의임프로바이제이션에서즉흥적으로드러머가컴핑하는상황
ㆍ TaketheATrain-Transcription(DrumsbyMaxRoach)
6과:필인(Fillin),리드믹피규어(RhythmicFigure)와셋업필스(SetupFills),페달포인트(PedalPoint)A.필인(Fillin,Fills)a.드럼의필인b.재즈드럼의필인스타일c.필인의연주위치와활용B.리드믹피규어(RhythmicFigure)와셋업필스(SetupFills)a.리드믹피규어(RhythmicFigure)b.셋업필스(SetupFills)
ㆍ FourC.페달포인트(PedalPoint)a.페달포인트란b.재즈와실용음악에서의페달포인트c.재즈앙상블에서페달포인트가나타날때의드럼연주
7과:솔로잉(Soloing)A.재즈드럼솔로에관하여a.재즈드럼솔로를연주하기전에드러머에게필요한트레이닝b.드럼솔로의종류(TypesofDrumSolo)c.드럼솔로전개의형태(ShapesofDrumSolo)B.드럼솔로의진행방법(MethodsofDrumSolo)a.모티브의발전(MotivicDevelopment)기법으로본드럼솔로,질문과대답(Question&Answer)b.기타음악적진행기법으로본드럼솔로c.드럼의악기적특징을살린사운드이펙트솔로d.드럼솔로의진행방법을분석하는데사용되는기법총정리C.미디움-업스윙에서의드럼트레이딩솔로분석a.Confirmation-Transcription(DrumsbyLawrenceMarabel)D.미디움스윙에서의드럼코러스솔로분석a.Straight,NoChaser-Transcription(DrumsbyFrankieDunlop)b.Stompin`AtTheSavoy-Transcription(DrumsbyMaxRoach)E.업템포스윙에서의드럼코러스솔로분석a.ThisIDigOfYou-Transcription(DrumsbyArtBlakey)b.Rhythm-A-Ning-Transcription(DrumsbyRoyHaynes)
8과:라틴(Latin)A.라틴음악(LatinMusic)과라틴재즈(LatinJazz)B.라틴리듬의악보표기(NotationofLatinRhythms)C.아프로큐반(Afro-Cuban)D.아프로브라질리언(Afro-Brazilian)E.3연음부느낌의라틴(TripletFeelLatin)F.라틴투스윙(LatintoSwing)G.재즈라틴(JazzLatin)드럼패턴
9과:3/4재즈왈츠(3/4JazzWaltz),오드미터(OddMeter)A.3/4재즈왈츠(3/4JazzWaltz)B.오드미터(OddMeter)C.애더티브미터(AdditiveMeter)
10과:브로큰타임(BrokenTime),이븐에잇스(Even8th=Straight8th)A.브로큰타임(BrokenTime)B.이븐에잇스(Even8th=Straight8th)
11과:브러쉬(Brushes)A.브러쉬의악보표기B.스위핑(Sweeping)C.스트로크(Stroke)D.재즈발라드(JazzBallad)E.스윙(Swing)F.브라질리언(Brazilian)G.펑크(Funk),퓨전(Fusion),팝(Pop)
12과:더블타임필과하프타임필(DoubleTimeFeel&HalfTimeFeel),메트릭모듈레이션(MetricModulation)A.더블타임필과하프타임필a.더블타임필과하프타임필의정의b.리듬별로적용한드럼의더블타임필과하프타임필B.메트릭모듈레이션a.메트릭모듈레이션의정의b.메트릭모듈레이션의예
ㆍ AutumnLeaves-Transcription(DrumsbyJeff“Tain”Watts)
13과:DrumlessBackingTrack트레이닝A.재즈앙상블에서드러머의역할B.DrumlessBackingTrack트레이닝-Strollera.MediumSwingTake1b.MediumSwingTake2c.UptempoSwingd.JazzBallad